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Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Monday, March 5, 2012

Mini Roman Epic


[You can now join us on Facebook! Exitus Roma was made for the Ridley Scott + YouTube competition, 'Your Film Festival.' If we make the semifinals, we'll rely on our fans (you!) to get to the finals. You can watch the trailer here.]

Here are some early images from my new short film. It's a mini epic about roman refugees from the barbarian invasions, AD 410.

The film was produced for the Ridley Scott + YouTube competition, Your Film Festival. It's been filmmaking in the fast lane! I wrote the script at the end of January. My amazing producer, Anna Elizabeth James of Majek Pictures, put it together in three short weeks. We wrapped production last Friday, and I watched the editors' cut on Sunday!

Starring Teri Reeves, David Landry, Brad C. Wilcox, and Nevin Millan. Written & directed by me. Produced by Anna Elizabeth James. Cinematographer: Jonathan Barenboim. Production Designer: Bonnie Bacevich. Costume Designer: Pheobe Boynton. Make-up Artist: Cara Liedlich. 1st Assistant Director: Michael Koerbel. Fight co-ordinator: Bill Leaman. Editors: Daniel Hanne & Nick Wenger. Sound: Alexander Burstein. Composer: Leah Curtis. And many more on an amazing crew! 

More info coming soon.









Tuesday, January 17, 2012

Atlas Shrugged Documentary


Over the last year, I've been working on a documentary about the novel Atlas Shrugged by Ayn Rand. I started off as an Assistant Editor, and eventually became an Associate Producer. Today, almost a year after I started, we are having our big premier at the ArcLight Hollywood! The film is also playing in over sixty theaters throughout the United States, and it's on the front page of Apple Trailers.


Ayn Rand & the Prophecy of Atlas Shrugged is directed by Chris Mortensen, who describes the film as "a biography of a book and an idea." We had some great interviews, including Albert S. Ruddy, producer of The Godfather Million Dollar Baby. You can see an excerpt from his interview here:


This was a great project to be a part of. I read Atlas Shrugged when I was in high school, recommended to it by my biology teacher, Mr. Bramwell. The novel was breathtaking. I couldn't put it down. It's such a great mystery, such a great love story, and the ideas in it were challenging and engaging. I eventually read all of Ayn Rand's novels, and through her, discovered my favourite novelist, Victor Hugo, and my favourite playwright, Friedrich Schiller. I have three dream projects to adapt and direct one day. Hugo's The Man Who Laughs, Schiller's Don Carlos, and Ayn Rand's We the Living.

Unfortunately, Ayn Rand has become an icon for political campaigns, often used by people she would have disagreed with. Her ideas are constantly being misrepresented and mischaracterized. Recently, the founder of Lululemon Athletica, a yoga clothing company, put a quote from Atlas Shrugged on the company's shopping bags. "Who is John Galt?" To him, this represented the company's vision to "elevate the world from mediocrity to greatness." The public outcry, though, was astounding. People came out calling the quote "offensive," and readily admitting they had never read the novel!

I'm hoping this documentary helps present a more objective view of who Ayn Rand was, and what Atlas Shrugged is all about. We interviewed biographers, CEOs, colleagues, critics. The angle Chris Mortensen took was to look at the novel as a predictive work. There are sections of it that, as radio host Dennis Miller said, read like a modern day AP News story. But the novel was written in 1957!

How did Ayn Rand predict the financial crisis? It's a very interesting story. But the most interesting story is the basic plot of Atlas Shrugged: A mystery about the question "Who is John Galt?" And a drama about Dagny Taggart, whose greatest allies keep disappearing, one by one.

Here is a trailer for the documentary:

Thursday, December 8, 2011

Super Shorts International Film Festival


To Rest in Peace is playing in London at the Super Shorts International Film Festival! We are nominated for Best Drama. Congrats to the cast & crew.

The screening is Sunday, December 11th, at 4PM.

You can browse the festival's magazine online.

And you can watch To Rest in Peace and vote online for the Audience Choice Award (possibly winning an iPad).

Super Shorts was the very first festival stop for To Rest in Peace, before the film was even shot. The script was a finalist at the 2008 edition. How perfect, then, that the 2011 edition will mark one year since To Rest in Peace started touring the world as a finished film. Our world premier was exactly twelve months ago at the 2010 Dubai International Film Festival.

Congrats also to Ali Scher, my fellow Trojan, who is nominated as best director for her musical The Maiden and the Princess. Ali is one of the special ones, overflowing with talent, and her film has been winning awards all over the world. I hope she can add 'Best Director – Super Shorts' to the growing list.

Unfortunately, I won't be able to cross the Atlantic for Super Shorts. This is a good time to reflect on a subject that's been on my mind for the last couple of months: missed opportunities. At the beginning of the festival campaign, I made an effort to attend every festival, for the full duration. As time went on, however, that became impossible for a number of reasons. It started with Cannes, which Josh and I were only able to visit towards the last couple of days. Then I attended the New York City International Film Festival, but missed the awards ceremony, which included a 'Best Student Short' for To Rest in Peace. The same goes for SoCal, Central Florida, Crystal Palace, and now Super Shorts.

It's very disappointing to miss any festival, because the programmers have honoured your work by selecting it, and the least you can do, it seems, is appreciate the honour with your presence. It's doubly disappointing when that festival marks both a second invitation and an anniversary.

But one strives to be always working, always building on past success, always looking for the next project. The past couple of months, while they have been negligent toward the festival circuit, have been very productive with my daily work at Mad Universe, and with my writing for producer Brian Zager. The list of active projects expands and contracts, but never dips below five. That is a very fortunate position to be in as a filmmaker, and a good reason to regretfully miss some good opportunities.

In the lead up to Super Shorts 2011, Edward Dark and Ismar Badzic have been the perfect hosts. I'm sorry I won't get to meet them in London, and I wish them both a very successful festival.

Monday, November 14, 2011

Two lectures on Art and Film


I have the honour of joining Luc Travers, of Touching the Art, for a double lecture on 'Storytelling in Art and Film' this Saturday, November 19th at 2PM in Aliso Viejo, California. 

Luc will be speaking on John William Waterhouse, and I will be speaking on 'The Cutting Room: How Filmmakers Shape Their Story," with reference to Ridley Scott's Kingdom of Heaven.

Here are the descriptions of the two lectures:


2PM Introducing Waterhouse 
by Luc Travers

Waterhouse is beloved for his poignant and evocative visions.  However, he is a master "storyteller" as well.  In this lecture, we will discuss some of his masterpieces as well as some little-known works to gain a better understanding of how to "read" the "story" in an artwork.


3:30PM The Cutting Room: How Filmmakers Shape Their Story 
by Fawaz Al-Matrouk

Editing has been called "the final rewrite," when the various pieces of a movie are shaped into the story we see. Fawaz will discuss the filmmaker's art, using two very different versions of the same movie, Ridley Scott's Kingdom of Heaven.


I first met Luc on his tour of the San Diego Museum of Art. He showed me a new and more enjoyable way of looking at art. I used to go straight for the information plaque, but Luc makes you really experience the art, and enjoy it without knowing anything about the history, artist, style or subject. 

I've been very excited by Luc's work in bringing this experience to people through his tours, and now his book. So it was doubly an honour when Luc asked me to give a lecture about storytelling in film. And I had the perfect subject in mind, something I've talk about informally, and have always wanted to give a presentation on. Kingdom of Heaven.

Ridley Scott's epic about the crusades was released theatrically, and later re-released with a director's cut. The differences between the two versions are astounding. Subtle changes make for two very different stories, with different characters, obstacles and themes. Comparing the two is a great way to understand a filmmaker's choices in building a story. 

For the lecture, we will watch the opening sequence from each version, and discuss the differences, and how they change our experience. 

If you're in town, we'd love to see you there. If you're not, you can see Luc's lecture by live or recorded webcast. And you can check out his book, Touching the Art: A New Approach to Art Appreciation.

Stay tuned for a report from Mizna's Twin Cities Arab Film Festival. 

Tuesday, August 16, 2011

PAGE Awards Semi Finals



Shining Path is now a semi-finalist at the PAGE International Screenwriting Awards!


At this stage of the competition, the scripts are narrowed down to the top 25 in each category. Shining Path is an espionage thriller based on a true story, so it made it into the historical film category.


The picture above is of Abimael Guzmán, the leader of Shining Path. Our screenplay follows a peruvian detective and a rogue CIA agent as they try to bring down Guzmán, who at the time was considered the most dangerous terrorist in the world.


I say 'our' because I'm developing this screenplay for producer Brian Zager. He came to me with the story after he saw To Rest in Peace. We are still in development, working on the next draft. And we have started research on our next project, which will utilize my skills as a historian, but takes place instead in the near future.


Congrats also to semi-finalists Nate Ruegger, and Kristin Ellerman! I had the good fortune of working with both of them while at USC, and will be cheering them on in the next stages. Nate has Furious Angels in the action/adventure category, and Kristin has Riding Pine in the family film category.


Finalists will be announced on September 15th.


Tuesday, June 28, 2011

Student Talk


I did an interview for Student Talk magazine, that was published in their June issue. You can browse the magazine's current issue here, and if you would like to read the interview, you can find it here. Topics covered are To Rest in Peace, Kuwaiti filmmaking, period pieces, and future goals.

Saturday, May 14, 2011

The World Cup Quarter-finals


To Rest in Peace is a quarter-finalist in the 2011 World Cup Film Awards. It is an elimination-style tournament that pits one team against the other, like the second round of the FIFA World Cup. You can cheer for us on the World Cup Film Awards Facebook page.

We are the only team representing Canada in the competition, though we could have also represented Kuwait or the United States. The film was made by a Kuwaiti raised in Canada (Toronto represent!), with a canadian star, and two canadian producers, through an american university, shot in California and Kuwait, funded by Canadian and Kuwaiti sources. A multi-national effort in our globalized world. But with the mighty maple leaf flying high, I say: Go team Canada!

Incidentally, team Kuwait won the Gulf Cup in 2010, giving us hope they may qualify for their second World Cup appearance in 2014. (Their first was in 1982).

Several members of the To Rest in Peace team are passionate soccer fans, so it is particularly exciting to be in this tournament. It looks like we have tough competition in Angela Hinton's A Palette of Possibilities. It may come down to extra time, or penalty shots. The semi-finalists are announced May 22nd!

Saturday, February 26, 2011

Scene from the Film


Twenty years ago today, Kuwait was liberated from the occupation.

The moment is described beautifully in Jehan Rejab's memoir, Invasion Kuwait: An Englishwoman's Tale:

As I stared about me, I thought I heard a woman ululating in the distance. I ran round the other corner to look at the mosque and someone said happily, 'It's clean now.' I think they were unearthing a Kuwaiti flag. I do believe Kuwait may be FREE — FREE — FREE.
To honour the occasion, I'm posting this scene from To Rest in Peace. It has been everyone's favourite since the first draft, and my personal favourite as I was about the boy's age when Kuwait was invaded. When I asked what scene people would like to see posted, my friend Nadia said it best:
The scene with the son and his painting, to honour the bright future of Kuwait!

Wednesday, January 26, 2011

Jehan Rajab


Exactly twenty years ago, Jehan Rajab was living in occupied Kuwait, and keeping a diary of her experiences. She wrote this in the entry marked by today's date, January 26:
The sound of the heavy guns resounded off the walls of the buildings around us and swelled to an ear-splitting stridency; and then it was over. There was dead silence for a second and we all stared around at each other grinning delightedly, even at the soldiers. We were alive and for the moment that was wonderful.
The passage was published in her book Invasion Kuwait: An English Woman's Tale, which I just finished reading. It's a vivid account of Kuwait during the occupation.

The chapter starting with the air war and ending with a free Kuwait is presented as a day-by-day account from her 1991 diary. The following entry is also from January 26th:
We could see that the black rain had made a fearful mess of all the buildings in Kuwait. It had streaked all the walls and tiles like dirty tears and even Saluki [the desert dog] had turned from being a pale champagne colour to a dirty grey.
Mrs. Rajab is the co-director of the Tareq Rajab Museum, which provides one of the most harrowing episodes of the memoir. She writes about her efforts to hide the mass of antiquities from official looting. Day after day, she lived in fear of the house to house searches, which might reveal the hidden treasure, and often ended in execution.

On February 20th, six days before the liberation, the Iraqi army finally arrived to tear through the house. I will leave the description of this search for you to discover. She writes it with agonizing eloquence.

Invasion Kuwait is a profound record of a dark moment in history. I highly recommend it. Thanks to my cousin, Fate, for introducing me to the museum, which led me to the book.

The picture of Jehan Rajab above is from the Kuwait: Class of 1990 collection on aljazeera.net

Sunday, November 7, 2010

Failaka Video


In January of this year, To Rest in Peace went to Kuwait to shoot b-roll footage. Most of it was shot on the Island of Failaka, which was completely abandoned for twenty years after the Gulf.

As we were boarding the ferry back to Kuwait, we saw tow trucks arriving on the island. You might remember this story from the January post, "News from Kuwait". They were there to remove the abandoned cars, in preparation for a complete demolition of the neighbourhood.

We were haunted by the realization that the footage we had was the last visual record of this moment of history, frozen for twenty years.

With that in mind, I decided to make this video. Some of the unused footage of Failaka is intercut here with the song "Salamun Salam" from To Rest in Peace, which is nominated for Best World Music Track at the Hollywood Music in Media Awards (in a couple of weeks!)

The footage was color corrected by Sean Conaty.

Monday, August 2, 2010

Twenty Years

Today is the twentieth anniversary of the invasion of Kuwait. To honour the occasion, I'd like to unveil a painting by my friend Ben Rathbone, inspired by the story of To Rest in Peace.


The painting was conceived as part of the promotional materials for To Rest in Peace, hearkening back to the painted movie posters of old epics, like Lawrence of Arabia. It has evolved into something so much more — a work of art in its own right.

You can find more of Ben's work on his website, http://www.480bc.com.

It's strange to reflect on the passage of time, and realize that twenty years mean an entire new generation of Kuwaitis has grown up without a memory of the occupation. I was eight, but I remember it vividly. And it's been an enlightening journey, to recreate this moment in history, and hear the memories it conjures up for those who lived through it.

My hope beyond To Rest in Peace is to document some of those memories, from the frightening, to the tragic, to even the absurd. We taped two interviews while filming in Kuwait last January, and these will be the start of such a project.

Until then, To Rest in Peace is waiting for its chance to premier, and I will keep you informed of its progress. We start hearing back from festivals in August!

Sunday, January 10, 2010

News from Kuwait


2nd unit production is wrapped!

We filmed for five days on the Canon 7d, capturing b-roll footage of Kuwait. This will mainly be used to replace greenscreens for the driving shots, but we also captured some establishing shots and transitions.

Two days were spent on the island of Failaka, which was like entering a time machine. The entire neighbourhood is a ghost town, left as it was during the occupation, twenty years ago. There were cars in the driveways, and houses pock marked with machine gun fire. One wall had graffiti declaring a "Free Kuwait". Another was marked by soldiers, taunting that "this will be the mother of all battles".

It was a strange journey, made even more haunting by what we discovered as we were leaving. We saw trucks towing the abandoned cars out to the ferry. The very next day, it turned out, they were going to demolish the old houses. We managed to film there just in time.

Thanks to everyone who made this trip so joyful and productive. Sean Conaty, who shot hours of beautiful footage. Ali Younis, who gave generously of his time and equipment, acting both as 1st AC and production manager during the Failaka trip. Abdullah Al-Matrouk, who managed our last day of production, and doubled as an actor. Esam Al-Kazemi, Mohammad Al-Qattan, Abdulaziz Al-Mobailish, Haider Al-Mosawi, my dad Faisal Al-Matrouk, and everyone else who gave their passion and support to this project.

Friday, May 8, 2009

Ghosts of Movies Past

This picture recently surfaced from the second film Josh and I worked on together (Her Music Led, November 2005).

Warning: Don't mess with this producer.

Our first film was also shot in the freezing cold of winter in Toronto. By contrast, To Rest in Peace will be a desert movie shot in May. From one extreme to the other. It's how we do things.

Josh is heading back to Toronto for a week, to attend Ryerson University's Film Festival, where he will screen three films he produced, and one he directed. You can find more info here.